02
SHUR IQ / MICRO-DRAMA INTELLIGENCE / ISSUE NO. 2
The Shopify Moment: Infrastructure Becomes the Product
While Hollywood debates whether to enter micro-drama, a Hong Kong company just made the question irrelevant. Any brand can now deploy a streaming platform in 30 days.
$14B
Global Revenue Forecast 2026
150
Knowledge Graph Nodes
16
Active Clusters
+5.5
Biggest SBPI Move (JioHotstar)
THE HARD TRUTH
Micro-drama just passed the inflection point from format to infrastructure. COL/BeLive's Microdrama in a Box doesn't compete with ReelShort. It enables everyone else to. The companies most threatened aren't category leaders. They're mid-tier platforms whose only differentiator was having an app at all.
Distribution is no longer a moat. Content and audience are.
Executive Summary
6 key findings from 52 sources across 4 languages
-
Critical
Microdramas overtake Netflix, Disney+, and Amazon Prime Video on US mobile engagement (Omdia). ReelShort: 35.7 min/day vs Netflix: 24.8 min/day.
Supporting evidence
Omdia Q4 2025 Mobile Engagement Report. Metric: average daily time spent per active user on iOS + Android, US market. ReelShort (35.7 min), ShortTV (31.2 min), DramaBox (28.4 min) all exceed Netflix (24.8 min). First time any vertical-video app has sustained this lead for a full quarter. -
Critical
China halted 530+ microdramas for content violations. NRTA implementing white list system and three-tier review framework.
Supporting evidence
People's Daily, 36kr, Huxiu reporting. NRTA's new framework: Tier 1 (investment >$1.4M) requires full pre-production review. Tier 2 ($140K-$1.4M) requires synopsis + script approval. Tier 3 (<$140K) platform self-review with random audits. 530 titles pulled between Jan-Mar 2026. White list for approved producers expected Q2. -
High
JioHotstar plans 100 microdramas for IPL 2026 across 7 languages. India market projected at $480M by year-end.
Supporting evidence
The Economic Times, MediaNama reporting. 100 titles commissioned for IPL cricket season (March-May). Languages: Hindi, Tamil, Telugu, Bengali, Marathi, Kannada, Malayalam. Production budgets averaging $80-120K/title. JioHotstar leveraging existing 45M+ paid subscriber base for distribution. -
High
Disney launched Locker Diaries as first vertical drama on Disney+. Multi-platform distribution across D+, YouTube, Instagram, TikTok.
Supporting evidence
Deadline, Variety reporting. Locker Diaries: 12 episodes, 3-5 min each, 9:16 format. Produced by Disney Branded Television. Simultaneous release on Disney+ (in-app vertical player), YouTube Shorts, Instagram Reels, TikTok. First major studio to distribute a single vertical drama across all four platforms simultaneously. -
Medium
DramaBox seeking $100M at $500M valuation. Outpacing Amazon Prime Video in Mexico (27.9 vs 23.8 min/day).
Supporting evidence
The Information, Sensor Tower data. DramaBox (Storymatrix/Top Short) reportedly in late-stage fundraising. Mexico engagement: DramaBox 27.9 min/day vs Amazon Prime Video 23.8 min/day (Sensor Tower, Feb 2026). DramaBox is #2 entertainment app in Mexico by daily active users. -
Medium
Korean short drama market estimated at $500M with 4+ platforms launching in "Warring States" period.
Supporting evidence
KOCCA report, Kakao Ventures analysis. New entrants: Naver's SnapStory, Kakao's QuickDrama, CJ ENM's ShortPlay, plus 2 indie platforms (KLIP, Both Worlds). Market sizing includes domestic ($300M) and Korean-language exports ($200M). Production costs in Korea average $250-400K/title, higher than China but with higher perceived quality.
This Week's Key Moves
SBPI delta leaders and laggards, W11 2026
Winner
JioHotstar
▲ +5.5 SBPI
100 microdramas for IPL signals the largest single-market content commitment in category history. Seven languages. 45M subscriber base as launchpad. India just became the second-largest micro-drama market overnight.
Winner
COL/BeLive
▲ +4.1 SBPI
Microdrama in a Box turns infrastructure into product. 1,700-title content library + SaaS platform + 30-day deployment. Not competing for viewers. Competing for platform operators. Different game entirely.
Winner
Disney
▲ +3.25 SBPI
Locker Diaries proves IP leverage strategy works in vertical format. Multi-platform distribution (D+, YouTube, Instagram, TikTok) simultaneously. No other studio has attempted this. First-mover advantage in cross-platform vertical drama.
Loser
Amazon
▼ -3.2 SBPI
Losing to pure-play apps in Mexico and UK with no visible response strategy. DramaBox now outpaces Prime Video on mobile engagement in two major markets. Silence from Amazon Studios on vertical format. The longer they wait, the harder the catch-up.
Loser
Netflix
▼ -3.0 SBPI
Being framed as "losing" by Omdia and Deloitte without any microdrama production. Engagement gap is now a narrative gap. Every week without a public micro-drama strategy adds to the perception of irrelevance in the fastest-growing content format.
Watching
ReelShort
▼ -0.55 SBPI
Still #1 by composite score. But ShortTV surpassing on US App Store free chart is the first real signal of competitive pressure at the top. ReelShort's moat is production quality and catalog depth. Both are replicable with capital.
THE HARD TRUTH
The SBPI rankings this week tell a story of divergence. Companies with actual content strategy (Disney, JioHotstar, Lifetime) are climbing. Companies with distribution-only advantages (Netflix, Amazon) are falling. The message: in micro-drama, you can't just be a platform. You need a production thesis.
SBPI Rankings
SHUR Brand Power Index, all 17 tracked companies, W11 2026
| # | Company | Composite | Delta | Tier | Content | Narrative | Distrib. | Community | Monetize |
|---|---|---|---|---|---|---|---|---|---|
| 1 | ReelShort | 84.05 | ▼ -0.55 | Strong Ecosystem Player | 85 | 78 | 88 | 76 | 95 |
| 2 | DramaBox | 78.75 | ▲ +1.25 | Strong Ecosystem Player | 82 | 72 | 87 | 62 | 92 |
| 3 | Disney | 74.25 | ▲ +3.25 | Strong Ecosystem Player | 50 | 92 | 87 | 68 | 70 |
| 4 | iQiYi | 64.50 | — 0 | Emerging Power | 75 | 65 | 70 | 50 | 60 |
| 5 | Netflix | 62.80 | ▼ -3.00 | Emerging Power | 28 | 38 | 93 | 68 | 85 |
| 6 | CandyJar | 58.65 | NEW | Emerging Power | 65 | 52 | 58 | 65 | 55 |
| 7 | JioHotstar | 58.30 | ▲ +5.50 | Emerging Power | 55 | 40 | 82 | 55 | 52 |
| 8 | GoodShort | 57.10 | ▲ +2.80 | Emerging Power | 68 | 58 | 57 | 47 | 55 |
| 9 | Lifetime/A+E | 54.10 | ▲ +2.80 | Niche Player | 42 | 60 | 65 | 52 | 47 |
| 10 | Amazon | 52.80 | ▼ -3.20 | Niche Player | 23 | 28 | 83 | 53 | 75 |
| 11 | Viu | 50.00 | — 0 | Niche Player | 55 | 45 | 60 | 40 | 45 |
| 12 | COL/BeLive | 41.40 | ▲ +4.10 | Niche Player | 25 | 20 | 50 | 32 | 90 |
| 13 | VERZA TV | 32.30 | — 0 | Limited | 35 | 40 | 30 | 35 | 20 |
| 14 | RTP | 26.30 | — 0 | Limited | 20 | 25 | 30 | 30 | 25 |
| 15 | KLIP | 25.00 | — 0 | Limited | 25 | 20 | 35 | 25 | 15 |
| 16 | Both Worlds/Freeli | 21.50 | — 0 | Limited | 25 | 20 | 25 | 20 | 15 |
| 17 | Mansa | 17.50 | — 0 | Limited | 20 | 15 | 20 | 15 | 15 |
Pure-Play Rankings
Excluding platform giants (Netflix, Disney, Amazon) to isolate category-native competitors (14 companies)
| # | Company | Composite | Delta | Tier | Content | Narrative | Distrib. | Community | Monetize |
|---|---|---|---|---|---|---|---|---|---|
| 1 | ReelShort | 84.05 | ▼ -0.55 | Strong | 85 | 78 | 88 | 76 | 95 |
| 2 | DramaBox | 78.75 | ▲ +1.25 | Strong | 82 | 72 | 87 | 62 | 92 |
| 3 | iQiYi | 64.50 | — 0 | Emerging | 75 | 65 | 70 | 50 | 60 |
| 4 | CandyJar | 58.65 | NEW | Emerging | 65 | 52 | 58 | 65 | 55 |
| 5 | JioHotstar | 58.30 | ▲ +5.50 | Emerging | 55 | 40 | 82 | 55 | 52 |
| 6 | GoodShort | 57.10 | ▲ +2.80 | Emerging | 68 | 58 | 57 | 47 | 55 |
| 7 | Lifetime/A+E | 54.10 | ▲ +2.80 | Niche | 42 | 60 | 65 | 52 | 47 |
| 8 | Viu | 50.00 | — 0 | Niche | 55 | 45 | 60 | 40 | 45 |
| 9 | COL/BeLive | 41.40 | ▲ +4.10 | Niche | 25 | 20 | 50 | 32 | 90 |
| 10 | VERZA TV | 32.30 | — 0 | Limited | 35 | 40 | 30 | 35 | 20 |
| 11 | RTP | 26.30 | — 0 | Limited | 20 | 25 | 30 | 30 | 25 |
| 12 | KLIP | 25.00 | — 0 | Limited | 25 | 20 | 35 | 25 | 15 |
| 13 | Both Worlds/Freeli | 21.50 | — 0 | Limited | 25 | 20 | 25 | 20 | 15 |
| 14 | Mansa | 17.50 | — 0 | Limited | 20 | 15 | 20 | 15 | 15 |
Role-Based Rankings
Dimension-specific views for studios, distributors, and monetization infrastructure
Content Studios
Sorted by average of Content Power + Narrative Control dimensions
| # | Company | Content | Narrative | Avg |
|---|---|---|---|---|
| 1 | ReelShort | 85 | 78 | 81.5 |
| 2 | DramaBox | 82 | 72 | 77.0 |
| 3 | Disney | 50 | 92 | 71.0 |
| 4 | iQiYi | 75 | 65 | 70.0 |
| 5 | GoodShort | 68 | 58 | 63.0 |
| 6 | CandyJar | 65 | 52 | 58.5 |
| 7 | Lifetime/A+E | 42 | 60 | 51.0 |
| 8 | Viu | 55 | 45 | 50.0 |
| 9 | JioHotstar | 55 | 40 | 47.5 |
| 10 | VERZA TV | 35 | 40 | 37.5 |
| 11 | Netflix | 28 | 38 | 33.0 |
| 12 | Amazon | 23 | 28 | 25.5 |
| 13 | RTP | 20 | 25 | 22.5 |
| 14 | COL/BeLive | 25 | 20 | 22.5 |
| 15 | KLIP | 25 | 20 | 22.5 |
| 16 | Both Worlds/Freeli | 25 | 20 | 22.5 |
| 17 | Mansa | 20 | 15 | 17.5 |
Distribution Platforms
Sorted by Distribution Power dimension
| # | Company | Distribution | Composite |
|---|---|---|---|
| 1 | Netflix | 93 | 62.80 |
| 2 | ReelShort | 88 | 84.05 |
| 3 | Disney | 87 | 74.25 |
| 4 | DramaBox | 87 | 78.75 |
| 5 | Amazon | 83 | 52.80 |
| 6 | JioHotstar | 82 | 58.30 |
| 7 | iQiYi | 70 | 64.50 |
| 8 | Lifetime/A+E | 65 | 54.10 |
| 9 | Viu | 60 | 50.00 |
| 10 | CandyJar | 58 | 58.65 |
| 11 | GoodShort | 57 | 57.10 |
| 12 | COL/BeLive | 50 | 41.40 |
| 13 | KLIP | 35 | 25.00 |
| 14 | VERZA TV | 30 | 32.30 |
| 15 | RTP | 30 | 26.30 |
| 16 | Both Worlds/Freeli | 25 | 21.50 |
| 17 | Mansa | 20 | 17.50 |
Monetization Infrastructure
Sorted by Monetization Maturity dimension
| # | Company | Monetize | Composite |
|---|---|---|---|
| 1 | ReelShort | 95 | 84.05 |
| 2 | DramaBox | 92 | 78.75 |
| 3 | COL/BeLive | 90 | 41.40 |
| 4 | Netflix | 85 | 62.80 |
| 5 | Amazon | 75 | 52.80 |
| 6 | Disney | 70 | 74.25 |
| 7 | iQiYi | 60 | 64.50 |
| 8 | GoodShort | 55 | 57.10 |
| 9 | CandyJar | 55 | 58.65 |
| 10 | JioHotstar | 52 | 58.30 |
| 11 | Lifetime/A+E | 47 | 54.10 |
| 12 | Viu | 45 | 50.00 |
| 13 | RTP | 25 | 26.30 |
| 14 | VERZA TV | 20 | 32.30 |
| 15 | KLIP | 15 | 25.00 |
| 16 | Both Worlds/Freeli | 15 | 21.50 |
| 17 | Mansa | 15 | 17.50 |
THE HARD TRUTH
Three structural gaps from Week 10 remain open. Two new gaps emerged this week. The most dangerous: investors are funding brand-first approaches while ignoring the most capital-efficient production model in the category. GoodShort's $220M on $200K/series budgets should be the template. It isn't.
Structural Gaps
5 active gaps: 3 persistent from W10, 2 new this week
Hollywood ↔ LatAm Distribution
Hollywood-backed entrants remain disconnected from where revenue actually is. DramaBox now outpacing Amazon in Mexico. LatAm audiences are adopting micro-drama faster than any Hollywood strategy accounts for. The studios pitching "premium short-form" in LA aren't present where the money moves.
Tech Innovation ↔ Revenue Markets
PineDrama (ByteDance tech) launched in Brazil, potentially bridging this gap. Monitor closely. The pattern remains: the most technically advanced production tools are built in China, the fastest-growing revenue markets are in LatAm and Southeast Asia, and nobody has connected the two at scale.
Horror/Genre IP ↔ Hollywood Production
Charles Band/FMA Productions partnership partially addresses this. Scale remains limited. Horror is the highest-converting genre in micro-drama (3x average coin spend on ReelShort) but zero major horror IP holders have committed to the format. A Blumhouse or A24 vertical horror series would immediately test this thesis.
Production Economics ↔ Investment Capital
GoodShort's $220M revenue on $160-200K/series budgets is disconnected from where investment flows ($22M to Holywater, $100M sought by DramaBox). Investors are rewarding brand narratives and celebrity casting over capital efficiency. The company with the best unit economics in the category is not the one raising the most money.
Platform SaaS ↔ Engagement Metrics
COL/BeLive's 30-day-to-launch promise has no public engagement metrics from existing clients. The Microdrama in a Box proposition is compelling on paper: turnkey platform, 1,700 titles, SaaS pricing. But without published data on viewer retention, ARPU, or engagement from live deployments, the product's viability rests entirely on sales narrative. First client metrics will either validate or collapse this gap.
Strategic Implications
For Studios
The production economics gap is your opportunity. GoodShort proved $200K/series works at scale. Don't chase $1M+ budgets hoping "premium" will differentiate. The audience doesn't care about production value above a threshold. They care about story hooks, pacing, and cliffhangers. Optimize for those.
For Platforms
Infrastructure commoditization (Microdrama in a Box) means your app is no longer enough. Build audience and content moats now. If COL/BeLive's model works, any brand or broadcaster can spin up a competitor to your platform in 30 days. Your defense: exclusive content deals, creator relationships, and audience data you can't replicate from a SaaS package.
For Investors
Follow the revenue, not the brand. GoodShort's $220M on lean budgets is the signal. Holywater's Fox deal and celebrity casting may not translate to unit economics. The most fundable companies in micro-drama right now are the ones with proven per-title ROI, not the ones with the most impressive press releases.
Unexpected Finding
The Shopify moment for micro-drama arrived this week at FILMART Hong Kong. COL/BeLive's Microdrama in a Box packages SaaS infrastructure + 1,700-title content library into a 30-day deployment bundle. This doesn't threaten ReelShort or DramaBox directly. It threatens every mid-tier platform whose only differentiation was having built an app. When anyone can launch a microdrama platform in a month, the competitive advantage shifts permanently from distribution to content and audience. Watch for a proliferation of niche/regional platforms in Q2-Q3 2026.
THIS WEEK'S SIGNAL
Talent is organizing. Range Media Partners brought Google's checkbook. Nippon TV opened a dedicated division. And vertical drama's most-recognized actors formed their own production company. The format stopped being a curiosity and started building its own institutional infrastructure. That shift changes everything about who controls the next phase of growth.
Breaking News
Week of March 10-16, 2026
March 13, 2026 Deadline Fangirlish
Vertical Drama's Biggest Stars Launch Their Own Production Company
Eric Guilmette, Sarah Moliski, Felix Merback, and Rebecca Stoughton have joined forces with indie horror veteran Charles Band to form Full Moon Artists (FMA) Productions. The new vertical video label goes into production on its first 12 films this spring across Los Angeles, Cleveland, and Italy.
FMA will produce microdrama series for platforms like ReelShort plus feature-length versions for streaming services. Guilmette was voted 2024 Vertical Legend and Best Actor (45+ vertical series). Moliski is one of the format's best-known villains and works as casting director across multiple vertical apps. Merback starred in Band's "Dungeons of Ecstasy." Stoughton has led 12+ vertical series including "Office Enemies" and "Big Bad Daddy You Are Busted."
FMA will produce microdrama series for platforms like ReelShort plus feature-length versions for streaming services. Guilmette was voted 2024 Vertical Legend and Best Actor (45+ vertical series). Moliski is one of the format's best-known villains and works as casting director across multiple vertical apps. Merback starred in Band's "Dungeons of Ecstasy." Stoughton has led 12+ vertical series including "Office Enemies" and "Big Bad Daddy You Are Busted."
Why it matters: This is the first time vertical drama talent has organized into a production entity with cross-platform ambitions. It signals the format has generated enough star power for actors to leverage their audience into ownership positions, not just gig work. Watch for whether FMA's talent-first model produces better engagement metrics than the current studio-first approach.
Read full story →
March 2026 Deadline Variety
Range Media Partners and Google Launch Microdramas Initiative via 100 Zeros
100 Zeros, the production partnership between Range Media Partners and Google, announced a dedicated microdramas initiative. The initial slate includes: "Dateable" from The Bachelor creator Mike Fleiss, "Newport Beach" from McG, upcoming projects from American Idol creator Simon Fuller, and a 90s-inspired kidnapping thriller with Artists For Artists.
This brings Hollywood's A-list showrunner and producer talent into the format with Google's distribution backing.
This brings Hollywood's A-list showrunner and producer talent into the format with Google's distribution backing.
Why it matters: Google entering microdrama production through an established management company signals that Big Tech views short-form vertical content as a strategic investment, not a fad. McG, Mike Fleiss, and Simon Fuller are exactly the tier of creator that validates the format for mainstream entertainment industry participation. If these projects perform, expect every major talent agency to stand up a vertical division within 6 months.
Read full story →
March 2026 Variety
Nippon TV Launches Dedicated Viral Pocket Division for Microdramas
Japan's Nippon Television has established Viral Pocket, a new division built specifically to produce and distribute microdrama content. This is the first dedicated microdrama unit from a major Japanese broadcaster, marking Japan's institutional entry into the vertical drama format beyond co-production deals.
Why it matters: Japan has been a co-production partner for Chinese microdrama exports (ShortTV's Japanese series topped overseas charts). A dedicated division from Nippon TV means Japan is shifting from outsourced production hub to original content creator. Combined with Korea's platform launches (TopReels, Biglue, Shortcha, Lezhin Snack), this cements East Asia as the production powerhouse for the format.
Read full story →
Rolling through mid-April Deadline
Disney Launches "Locker Diaries" as First-Ever Vertical Series on Disney+
Disney's first vertical drama series, "Locker Diaries," is an 11-part anthology using characters from Zombies, Descendants, and Phineas & Ferb. Episodes roll out every Saturday on Disney+, YouTube, Instagram, and TikTok simultaneously. The series uses existing Disney IP to test the vertical format with a built-in audience.
Why it matters: Disney entering vertical drama with marquee IP is the strongest legitimacy signal the format has received from legacy entertainment. The multi-platform rollout (Disney+ alongside TikTok) shows even the most protective IP holders now view vertical as a native distribution channel, not a marketing afterthought.
Read full story →
March 2026 Hollywood Reporter
Taye Diggs Executive Producing Lifetime's First Microdrama
"Tides of Temptation" is Lifetime's first microdrama, with Taye Diggs executive producing alongside Autumn Federici and Shelby Stone. The vertical companion narrative ties into "Terry McMillan Presents: Paradise With You," integrating micro-format content into Lifetime's broader franchise strategy.
Why it matters: A+E Networks (Lifetime's parent) is treating microdrama as a franchise extension tool, not a standalone product. This "companion narrative" model could become a template for how legacy networks use vertical content: drive viewers between formats rather than replace long-form programming.
Read full story →
March 17-20, FILMART Hong Kong Variety
COL/BeLive Unveil "Microdrama in a Box" at FILMART
Chinese content giant COL Group and Nasdaq-listed BeLive Holdings launched the world's first fully integrated SaaS + content bundle for microdrama platform creation. Deploy a branded platform in 30 days with playback engine, gamification, monetization frameworks, AI subtitling, and access to 1,700+ titles. Booth 1B-A17, masterclass March 18.
Why it matters: Infrastructure commoditization arrived. Any broadcaster, brand, or regional media company can now launch a microdrama platform without building technology from scratch. This is the Shopify moment for the category. The competitive moat shifts permanently from "having an app" to content quality and audience relationships.
Read full story →
Pattern Recognition
Three structural shifts converged this week. Talent organized (FMA Productions). Big Tech invested in production, not distribution (Google/Range). Legacy media committed IP (Disney, Lifetime). Each actor entered through a different door, but all three point to the same conclusion: microdrama's next growth phase will be driven by institutional players, not indie startups. The window for pure-play platforms to build defensible positions is narrowing.
Methodology
SBPI scoring framework, data sources, and graph analytics
SBPI Dimensions
| Dimension | Weight | Scoring Basis |
|---|---|---|
| Content Power | 25% | Volume, quality, genre diversity, production cadence, exclusive titles. Measures ability to create and sustain a content library. |
| Narrative Control | 20% | Media presence, industry positioning, IP leverage, brand perception. Measures influence over how the company is perceived in trade and consumer press. |
| Distribution Power | 25% | Platform reach, geographic coverage, app store rankings, DAU/MAU, multi-platform presence. Measures ability to reach and retain audience at scale. |
| Community Depth | 10% | Social engagement, creator ecosystem, fan communities, UGC volume. Measures organic audience investment beyond passive viewing. |
| Monetization Maturity | 20% | Revenue model diversity, ARPU, payment infrastructure, advertising capability, B2B revenue. Measures ability to convert attention into sustainable revenue. |
Data Sources
52 items across 4 languages processed through InfraNodus knowledge graph analysis.
- English (38): Deadline, Variety, Hollywood Reporter, The Information, Sensor Tower, Omdia, Deloitte TMT Predictions, TechCrunch, Rest of World, The Wrap, Screen Rant, Tubefilter
- Chinese (8): 36kr, Huxiu, People's Daily, Jiemian News, iResearch
- Korean (4): KOCCA reports, Kakao Ventures analysis, Chosun Ilbo, Korea JoongAng Daily
- Hindi/India (2): The Economic Times, MediaNama
Graph Statistics
- Weekly graph: 150 nodes, 367 edges, 16 clusters, modularity 0.663
- Persistent graph: 81 nodes, 175 edges, 10 clusters, modularity 0.749
- Top gateway (betweenness centrality): microdrama (bc: 0.587)
- Secondary gateways: drama (bc: 0.166), korean (bc: 0.089)
Source Language Breakdown
- English: 38 sources (73%)
- Chinese: 8 sources (15%)
- Korean: 4 sources (8%)
- Hindi/India: 2 sources (4%)
Process
- Collection: 52 sources identified through keyword monitoring (micro-drama, microdrama, vertical drama, short drama, ReelShort, DramaBox) across English, Chinese, Korean, and Hindi media. Timeframe: March 10-16, 2026.
- Graph construction: Source text processed through InfraNodus for entity extraction, co-occurrence analysis, and cluster identification. Weekly graph (all W11 sources) and persistent graph (cumulative, pruned for relevance decay) maintained separately.
- Gap detection: Structural gaps identified via InfraNodus negative space analysis: cluster pairs with high internal density but low inter-cluster connectivity. Gaps validated against W10 gap registry for persistence tracking.
- SBPI scoring: Each company scored across 5 dimensions (0-100) based on evidence from source corpus. Composite = weighted sum. Delta = change from W10. Scores are relative within the tracked cohort, not absolute market benchmarks.
- Tier classification: Strong Ecosystem Player (70+), Emerging Power (55-69), Niche Player (40-54), Limited (<40). Thresholds calibrated to current cohort distribution.